Interview with Bob Lemoine

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Interview with Bob Lemoine

Movie Lakay had the priviledge to interview Haitian Filmmaker, actor during the private screening of his new movie “L’Automne En Mille Morceaux”.

With more than 3 films to his credit (Olivia, 1977 and Echec au Silence, 1985), Mr. Lemoine is one of Haiti’s most respected filmmakers since 1977.

He is considered a pioneer of the cinema in Haiti.

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  • kurosawa

    MOVIE LAKAY BON BAGAY

  • HATERKILLER

    BOB LEMOINE SI WAP KONVETI FILM NAN AN 35 MM OU TE SIPOZE SHOOTER SOU 60 FPS NOT 24 FPS OK “HATERKILLER KI DI OU SA ” MEN SA PA EMPECHE MWEN RESPEKTE E APRESYE TOUT SA OU DI YO. ANYWAY GOOD LUCK .MWEN FE ERE SA DEJA ….

  • Sonet

    I have a lot of respect for this man Mr Bob Lemoine. Keep up the good job. Good luck

  • http://www.haiticinema.com Raynald Delerme

    60 fps? Wow! I guess I have a lot to learn. I always knew that there were 24 frames in every second of film. Technology must have changed. Hatekiller, please enlighten me and give a reference I could go to to verify the 60 fps. Thanks in advance. In the mean time, Bob, keep it at 24 fps and keep up the good work.

  • jacques Roc

    Raynald thank you for setting this guy straight. What’s that 60 frames per second he is talking about. The first thinkg Bob will have to do if he wants to burn his film to 35mm he needs to conform his 24 p video to a 4k through an ursa broad or a Da Vinsci and dump it to a D5 master to get the best quality images. What it means is that he will do some additional colorisation in a transfer room to get the best video quality than he can get his images burnt to a print at 20 frames a minute; that is a process that takes some two weeks to get the entire film of 1 and 1/2 hour printed. Good luck Bob from your good old friend Jacques Roc

  • kurosawa

    MOVIE LAKAY BON BAGAY, Mr Roc i can’t wait 4 the next project.

  • HATTERKILLER

    LISTEN IM NOT TALKING ABOUT THE PICTURE QUALITY ,IM TALIKING ABOUT THE FPS ..24 P ITS A FILM LOOK ALIKE FOR THOSE WHO CAN NOT AFFORD A REAL FILM CAMERA …I SAID IT AGAIN IF HES GONNA TRANSFER HIS FINAL MASTER TAPE TO 35 MM FILM ITS BETTER SHOOT IT AT 60 FPS THIS WAY HIS PICTURE WILL COME OUT MORE SMOOTHER , AND I LEARN IT FROM A BIG TIME PRODUCER,I AINT SAY THAT IS NOT GONNA WORK OR AFFECT HES PICTURE QUALITY….. JACQUES ROC,RAYNALD DELRME IM A BIG FANS OF BOTH OF YOUR ….NOU INSPIREM POU ALAPRANN FE CINEMA POU KA PRAN LA RELEVE …IM WAY YOUNGER THAN BOTH OF YOU ,BUT IF I LEARN SOME I HAVE TO SHARE IT WITH MY PEOPLE … FOR MORE INFO GO TO http://WWW.DV INFO.NET OR GO TO http://WWW.PILLIP BLOOM.CO.UK AND POST UR QUESTION IM SURE U WILL GET AN ANSWER ….. THANKS FOR YOUR INFO JACQUES….

  • HATTERKILLER

    SA TRIS POU SA KI RIVEOU NAN “PLUIE D’ESPOIR “LA …BUT I KNOW ITS GONNA B A GREAT MOVIE … GOOD LUCK.

  • Henri

    I would love to see a collaboration between Lemoine’s insightful understanding of the Haitian culture, the human condition and Roc’s technical expertise. Lemoine has the vision and Roc can bring his vision to the 21st century. Roc’s outstanding first movie: Pluie d’Espoir has certainly earned him the right to wax on all aspects of film making. He wrote, produced, directed, edited, sketched the storyboard and scored the entire work – it is clear they can truly realize great things if Roc teams with Lemoine.

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